![]() So we think of it as just one syllable.Ī kana contraction like きょ counts as just one on. In English, even though this is two kana characters and two on, we wouldn't distinguish the long こう sound as more than one syllable. Then when you add う to it to make it こう it becomes two on. Contractions containing small kana count as one on.Ī kana character like こ counts as just one on.And thanks to the way the Japanese writing systems work ( thank you kana), these are very easy to understand once you know the rules. Similar to the English syllable, a Japanese on measures a chunk of sound. But for our poetic purposes, we're going to stick with on. In Japanese outside of haiku you may see these on referred to as haku 拍 ( はく ). Linguists refer to this in English as "mora" or "morae" (if there's more than one) and モーラ in Japanese. Instead of a "syllable," which is usually based around a vowel, Japanese has a slightly different concept called on 音 ( おん ). Letting you create cute a little haiku like:īut the English concept of syllables doesn't exist in the same way in Japanese. Now, most English speakers learn that this structure refers to syllables. In fact, a scholar named Harold Gould Henderson (founder of the Haiku Society of America) estimated that about one in twenty classical haiku actually break the 5-7-5 rule. It's also the one that's broken the most. The 5-7-5 structure is definitely the most well known characteristic of haiku. There are three basic rules for writing haiku:Įach has its own important place in the anatomy of haiku. Let's begin by looking at the first feature: rules. It's a big topic, with a gargantuan history, so there's plenty of room to debate. These are just my personal haiku definitions, so it's very likely you'll come across different distinctions and opinions on what makes or breaks haiku. It's how you know who's a pro and who's a haiku scrub. Qualities are what separate a "good" haiku from a "bad" haiku. But as with all forms of art, these rules can be bent and sometimes broken for artistic effect. Rules are what a poem needs to be considered a haiku. Let's make it easier by breaking the actual features of haiku into two groups: The definition of a haiku in English is usually something similar to this: a poem that has three lines with a 5-7-5 syllable pattern.īut there's much more than that, especially in the syllable department. Prerequisite: This article is going to use hiragana, one of Japan's two phonetic alphabets, so if you don't know it yet, or just need a review, take a look at our hiragana guide! Let's start with a simple definition of what exactly a haiku is and go from there. While Bashō wasn't the first to write haiku, this poem became the model that all haiku would be compared against and defined the form as we know it today.īut a haiku is more than just a poem that follows the skeleton of Old Pond. This was a haiku 俳句 ( はいく ), a short Japanese poem that presents the world objectively and contrasts two different images. Matsuo Bashō 俳句(はいく) 17 mora poem, usually in 3 lines of 5, 7, and 5 morae In the spring of 1686, Matsuo Bashō wrote one of the world's best known poems:
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